Ruminating on contemporary art, I get to curse the foggy time of universal historical lie which disregarded their original art to transfigure figurative craftsmanship in this maze of exegetical interpretations on the work itself that constitutes the current contemporary art.
I think this to myself as I recall the Pale Fire by Nabokov, the governess of the gender composition successful artistic-police, in which Professor Charles Kinbote, trying to outline the long poem by John Shade by judicious analysis organized in a voluminosísimo corpus of notes and an index discussed with lengthy and intrusive comments, just drawing a hilarious and eccentric self-portrait that lays bare his most abject psychic reality and reveals the extent of their alienated public danger. If paranoia is racked mental state in which their own thoughts and fears are attributed to external factors of the individual (Freud dixit), Professor Charles Kinbote and the bizarre troupe of current academic and postmodern philosophers would find posh season abode in the psychiatric, or just ridicule on the scaffold.
And is that the rift between exegesis and lies in the existence eisegesis or not an accurate method of analysis of the signs. The exegete has a method, an articulate and accurate hermeneutics to interpret reality, while eisegeta uses only available, their appetite and unleashed lenguaretismo (in any case, both the one and the other compromises to the vice play the world without interpellations). For my part, I hereby settle the exegetical analysis of artistic and mundane signs and, under the hermeneutics of schizo-analysis of the paranoiac-critical Delicias, subscribe to the occurrence of this very famous Trimega pucelano which states that "art is a kitchen, utterance interpretation is that in addition, questions.
exegetical hermeneutics interpretation summoned the pucelano is part of an oracular tradition of witchcraft that had the remarkable fighting militancy of Cadaqués, the last witch Ampurdán, Dalí muse and creator of "paranoiac-critical method. This is a spontaneous method of irrational knowledge based on systematic objectification of associations and interpretations wildest phenomenological, with the intention to tangibly more obsessively creative ideas dangerous. This method involves not exercise rational criticism on a first false premise, according to which the further development of all staging mental congruent within a delusional logic suspension of the trial.
deny that this method only is covert diletancia madness and arrogance, and if so, I'm willing to agree with Lorca, which in any case, there is a quixotic folly.'s Madness Don Quixote is crazy dry, visionary, Upland, crazy abstract. Lidia's madness is crazy moist, soft, full of gulls and lobster, a plastic madness. Don Quixote walking through the air and Lydia on the shores of the Mediterranean. For Alonso Quijano Cavalleria books are true stories of real fair, so Lidia de Cadaqués the real troubles are just glosses journalistic d'Eugeni d'Ors. For both the exegesis of life is life itself. Alonso Quijano is the knight of the sad figure, Lidia de Cadaqués is Teresa Ben Planted.
El Quijote is a English proper exegesis, while Lydia is an archetypal view of the Empordà. Not surprisingly the Alt Empordà is considered the "magic heart of Catalonia, and the definition is not excessive response to a landscape where the wind maddening (capacity attributed, not without reason, Tramontana and Mistral) and light all vehicle lighting are the two elements at whose dictates runs from millennia life in this corner of the world. Dalí was the Empordà-and rightly-as a matriarchal paradise: with the fishermen at sea, only their wives were on the ground, discouraged and fearful of terrible news, they drove home and ran the family estate. The cult classic that took root more vigorously were female and Aphrodite, supported racial beliefs of the original substrate. Near Port Vendres, formerly the Port Veneris, the "Port of Venus" - there was a shrine to Venus Pyrenees. In San Pedro de Roda monastery located not far away, you can still see the Corinthian columns of what presumably was a classical temple honor of Venus Aphrodite ...
Besides of weather and landscape, there were other reasons for Lidia hermeneutics enjoyed in his youth. His mother died during a fire that her husband, "the Lydian, was accused of causing. Nothing was proved, and after a few days' imprisonment was released, but the man never recover the trial "idiotic" has remained Pla-and three days after he hanged himself in the basement of the house. " Lidia had received instruction from his mother to access the secrets of the rural witchcraft and soon the rumor on the small her fishing village by a spell, had been responsible for the burning of the house and the suicide of his father. These suspicions were that bulls had neglected the care of children neglected by family ties most secret and sensual pacts with the justification that "The mel és més dolça that sang." Justification appraised value, which reminds me of another , once set out with a "Yes eu Traballo, cánsome. If cánsome step cold and if I go cold resfríome. mellor Logo is passing fame oh"
devote an entry on Lidia thorough Cadaqués following entry in a
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