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THE FAILURES OF ..............

Building. Out of time but claims to look new. Old pirates are returning a thousand failures and want to add new adventurers, they know that they have no scruples, just like them.
pirates are now just a decaying crown trying by all means things roll back to a past full of dark negotiated privileges. Lost life and reap the scorn of the majority, something that very little care, theirs is the looting and the struggle for power that impunity.
come in a dilapidated galleon that the political wind shakes from side to side. They went in different ports with similar ambitions and with equal shamelessness. They lost everything and are forced to do anything in order to conform with their constituents.
The figurehead is a newcomer rogue load the pretensions of the successful Truan: Mauricio Macri. Wants to be captain but that position is occupied by a filibuster called Duhalde devalued specialist intrigues and betrayals to the achievement of objectives dirty. Your end is near and he knows it, try to grasp as you can with the hope of receiving some crumbs and the pleasure of revenge, is full of hate. Puppeteer wanted to be a patriot and ended up being a grotesque monstrosity that no longer scared. The
grout crew is an aimless men, resembling a pack of wolves without teeth, they are hungry but can hardly bite into something that suits them. The movement of the Galleon permanently destabilized by taking them from one place to another without a clear destination.
They gather, separate, cheat, fall and drag themselves to climb, fight, criticize, everyone wants to be chosen king, the master gives them the strength to continue, without it there is nothing, not either.
lost dignity, honor the memory of those who fought in almost forgotten youth.
The master of the crown pushes, encourages them and gives them orders.
The defeated captain wants them together, grouting requires that the few convictions forget one day and now had no memory. He feels responsible for this, his last task, that is their dream, the reality is that nobody needs their miserable services.
We can see from the dilapidated ship Duhalde, Solá, Alfonsin, Sanz, Carrio, Bullrich, Pino, De Narvaez and others spent many faces, matted and swaying that attempt to trick the Argentines. They jumped into the waters of oblivion Reuteman, Das Nevez, Cobos and possibly Pino. Others will follow, no endurance in the face to the people. Jump ship before they sink finishes, such as rats.
Those who took down the banners of social justucia, former Peronist looters today, betting on the figurehead, Macri, this non-captive and failure is your letter.
The master sweetens and hide their weaknesses, is the owner of the media would have us believe that the new policy. We all know they are not, in piracy there is nothing new.
The new policy we are living for seven years and the buccaneers are dilapidated galleon very soon be in the sad and dark place that should never leave: the cabinet of losers ... ..

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THE NATION PARTY IS .........

a new and glorious nation. This important statement we welcome the recent political space that is created with the essential reason for government to give the country a Republican deserved. Years of hooliganism, nervousness, chaos, misery, poverty, isolation, corruption, and many other pests will be eradicated from our land definitely, it's time for freedom, forgiveness, freedom in capital letters.
born from the hand of a handful of patriots the new political party capable of leading the destiny of our nation to the place that always had, that we all remember, that I do not want to mention. Birth of Peronism Pro
Radical Civic of the center. We first gathered, the most famous men of our political and cultural heritage, a set of brilliant minds to serve the people. Faithful guardians, the best that bore the country in recent years, gathered together to restore democratic values \u200b\u200band to give us what they think they deserve. We see
Duhalde, Cobos, Pino Solanas, Carrio, Solá, De Narvaez, Patricia Bullrich, Sanz, Alfonsin, Altamira, and great cast, acting in accordance with their ideals.
not care about ideas, not government programs or beliefs, or career, or what they were or represented, now united left everything aside in pursuit of a utopia patriotic Cristina get the government to be worthy of the top of the multimedia and play as good loyal dogs.
are accompanied by more militant trade unionism, Barrett commanded the young men, highlights the hosts of Pedraza, the Momo Venegas, Cavalieri, all striving towards social injustice and inequality. Participate
social movements that bring crowds of activists who dream of transforming the country through neoliberalism, there are radical groups of the Youth smarmy, or the rebellious youth of the PRO, or the revolutionary forces of the Civic Coalition.
When all seemed lost in our country, from the very core of our earth born this handful of heroes led by the selflessness and sacrifice to cover filled the void that choked us all Argentines.
Time for the truth, on one hand "this" I have just presented. The other, just Cristina and the people you choose ... ...

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The Battle of Thermopylae ........

LA ......... Battle of Thermopylae Raul
Ludueña

The Greek Herodotus tells the story of three hundred Spartans and seven hundred Thespians defending the pass at Thermopylae against nearly two million Persians.
For centuries this action attracted the admiration of poets and authors highlights the value and the resolution of the Spartans who gave an example of courage in circumstances vastly unfavorable. Today remains a symbol of what can be an army of free men in defense of native soil and those things we believe.
Several centuries later we live a similar experience, the struggle for power takes us back to a similar circumstance, those who throughout the history of the country maintained the supremacy of the people today want the government to move people to maintain their privileges.
are infinitely more powerful, not in number, but in arms. They have the media available, have resources, lack of scruples and are willing to do anything to resubmit to the majority.
Without any hesitation they want to organize no matter the merits or belief. We see Macri Duhalde trying to gather the Radicals, we see that dress in a grotesque parody, certifying a minimum of two by passing it through an "internal."
listen to Patricia Bullrich said that the Alliance, which merged the republic, will have another chance. Witnessing the sad spectacle of an election against the grain of democracy, which still do not know the result of a deception. We see
that army, trying to regroup in a most amorphous and ideas, Pino Solanas pushes to appear in the city in hopes of "stealing" a vote that stand next to power.
Alfonsin was just another parody of the internal one would be tempted by Cobos in a mixed face, they share the betrayal as a way of doing politics, nothing more.
Carrio says no plans to make drug traffickers and corrupt government, Duhalde and Macri look away.
hegemonic media tell us that there is a country, make a tremendous effort to show chaos where there is harmony, while achieving record of patenting and consumption. The majority support a government that interprets the needs and achievements of management shows for the less fortunate.
entrench opponents try anyway no matter what members think that mazacote seeking to gain power. Are powerful, like the Persian army, but despite their apparent strength and superiority will find millions of volunteers with the strength of belief is invincible ....

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Exegesis of the signs Epiphanies

Ruminating on contemporary art, I get to curse the foggy time of universal historical lie which disregarded their original art to transfigure figurative craftsmanship in this maze of exegetical interpretations on the work itself that constitutes the current contemporary art.

I think this to myself as I recall the Pale Fire by Nabokov, the governess of the gender composition successful artistic-police, in which Professor Charles Kinbote, trying to outline the long poem by John Shade by judicious analysis organized in a voluminosísimo corpus of notes and an index discussed with lengthy and intrusive comments, just drawing a hilarious and eccentric self-portrait that lays bare his most abject psychic reality and reveals the extent of their alienated public danger. If paranoia is racked mental state in which their own thoughts and fears are attributed to external factors of the individual (Freud dixit), Professor Charles Kinbote and the bizarre troupe of current academic and postmodern philosophers would find posh season abode in the psychiatric, or just ridicule on the scaffold.

And is that the rift between exegesis and lies in the existence eisegesis or not an accurate method of analysis of the signs. The exegete has a method, an articulate and accurate hermeneutics to interpret reality, while eisegeta uses only available, their appetite and unleashed lenguaretismo (in any case, both the one and the other compromises to the vice play the world without interpellations). For my part, I hereby settle the exegetical analysis of artistic and mundane signs and, under the hermeneutics of schizo-analysis of the paranoiac-critical Delicias, subscribe to the occurrence of this very famous Trimega pucelano which states that "art is a kitchen, utterance interpretation is that in addition, questions.

exegetical hermeneutics interpretation summoned the pucelano is part of an oracular tradition of witchcraft that had the remarkable fighting militancy of Cadaqués, the last witch Ampurdán, Dalí muse and creator of "paranoiac-critical method. This is a spontaneous method of irrational knowledge based on systematic objectification of associations and interpretations wildest phenomenological, with the intention to tangibly more obsessively creative ideas dangerous. This method involves not exercise rational criticism on a first false premise, according to which the further development of all staging mental congruent within a delusional logic suspension of the trial.

deny that this method only is covert diletancia madness and arrogance, and if so, I'm willing to agree with Lorca, which in any case, there is a quixotic folly.'s Madness Don Quixote is crazy dry, visionary, Upland, crazy abstract. Lidia's madness is crazy moist, soft, full of gulls and lobster, a plastic madness. Don Quixote walking through the air and Lydia on the shores of the Mediterranean. For Alonso Quijano Cavalleria books are true stories of real fair, so Lidia de Cadaqués the real troubles are just glosses journalistic d'Eugeni d'Ors. For both the exegesis of life is life itself. Alonso Quijano is the knight of the sad figure, Lidia de Cadaqués is Teresa Ben Planted.

El Quijote is a English proper exegesis, while Lydia is an archetypal view of the Empordà. Not surprisingly the Alt Empordà is considered the "magic heart of Catalonia, and the definition is not excessive response to a landscape where the wind maddening (capacity attributed, not without reason, Tramontana and Mistral) and light all vehicle lighting are the two elements at whose dictates runs from millennia life in this corner of the world. Dalí was the Empordà-and rightly-as a matriarchal paradise: with the fishermen at sea, only their wives were on the ground, discouraged and fearful of terrible news, they drove home and ran the family estate. The cult classic that took root more vigorously were female and Aphrodite, supported racial beliefs of the original substrate. Near Port Vendres, formerly the Port Veneris, the "Port of Venus" - there was a shrine to Venus Pyrenees. In San Pedro de Roda monastery located not far away, you can still see the Corinthian columns of what presumably was a classical temple honor of Venus Aphrodite ...

Besides of weather and landscape, there were other reasons for Lidia hermeneutics enjoyed in his youth. His mother died during a fire that her husband, "the Lydian, was accused of causing. Nothing was proved, and after a few days' imprisonment was released, but the man never recover the trial "idiotic" has remained Pla-and three days after he hanged himself in the basement of the house. " Lidia had received instruction from his mother to access the secrets of the rural witchcraft and soon the rumor on the small her fishing village by a spell, had been responsible for the burning of the house and the suicide of his father. These suspicions were that bulls had neglected the care of children neglected by family ties most secret and sensual pacts with the justification that "The mel és més dolça that sang." Justification appraised value, which reminds me of another , once set out with a "Yes eu Traballo, cánsome. If cánsome step cold and if I go cold resfríome. mellor Logo is passing fame oh"

devote an entry on Lidia thorough Cadaqués following entry in a